From tea bowls to larger vessels, we will explore different techniques of forming, altering and decorating. Together we will make expressive forms on and off the wheel.
Course Outline
Students are asked to bring their favourite tools such as brushes and implements for mark
making. Clay will be provided along with the use of studio tools.
Day 1
A.M. Discussion of the tea bowl tradition; demonstration of thrown, thrown and carved, faceted, expanded and kurinuki techniques.
P.M. Hands-on working on the various techniques.
Day 2
A.M. Finishing of tea bowls. Demonstration of a variety of vase forms including 2-part pieces.
P.M. Hands on working on vase techniques.
Day 3
Continuation of vase explorations; strength through form, vitality through surface.
Day 4
Finish vase forms: trouble shooting, problem solving.
Day 5
A.M. Demonstration and discussion of surface; building a vocabulary of techniques to enliven surface such as wax resist, slip, texture, brushwork.
P.M. Final surface decoration of pieces.
Course information
- Language: This class will be held in English.
- Class timing: Monday to Friday 9:00 to 16:00, with one hour break for lunch
- This is a series of 5 classes starting on July 27th and ending on July 31st
- Please note that the cost of the course includes the necessary clay and access to studio tools.
- The class duration of 6 hours includes 30 minutes to clean-up the studio.
- This class is for individuals 16 years old and up.
- Please bring an apron and wear clothing that can be muddied!
If you are experiencing any difficulties with registration or payment, please contact us at ceramique@lafabsurmill.ca.
About Don Goddard
Don Goddard is a potter who has been working in clay for over 50 years. He works from his home studio in Lachine, Quebec with both low fired earthenware and with stoneware and porcelain high fired in a wood kiln. “The material qualities of clay are essential to my work. They provide a vocabulary for expressing a language of rich textures, rhythms and tactile sensations. I wish to collaborate with the material rather than impose my will upon it.”
